“Nosferatu” Is Easily One Of The Best Movies Of The Year, And Here Are 21 Interesting Facts About It

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They built a TON of sets for the movie, 60 to be precise, including five city blocks.

In case it hasn’t landed on your radar yet, Nosferatu is Robert Eggers’ latest high-brow horror film, and you should know it’s reaaaalllllly good. Like, everything from the cinematography to the costume and production design, and directing, is top-tier.

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A gothic reimagining of the iconic 1922 silent film of the same name (which is itself an adaptation of Bram Stoker’s Dracula), Eggers’ Nosferatu is not only beautifully made, but also scary AF. Like, my stomach dropped so hard in several scenes that I thought I’d lose my dinner.

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The film stars Nicholas Hoult as Thomas Hutter, a young estate agent, Lily-Rose Depp as his cursed bride, and Bill Skarsgård in a horrifyingly wild performance as the vampire Count Orlok.

A group of people in period clothing talking together

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Rounding out the cast is Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe (who, ironically, was nominated for an Oscar for playing an actor cast as Count Orlock in the 2000 film Shadow of the Vampire, a fictional telling about the making of the original Nosferatu film.)

And here are some very fascinating behind-the-scenes facts about the film I learned from the production notes:

FYI: There are no major spoilers ahead. But there are some small plot details mentioned.

1. Eggers actually wrote and performed a stage adaptation of Nosferatu: A Symphony of Horror (the 1922 fim) with a classmate back when he was still in high school.

Movie poster for

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2. And, after the success of his first feature film, The Witch, in 2015, Eggers wrote a draft of Nosferatu with the intention of making it his next movie.

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However, his next projects ended up being The Lighthouse in 2019, followed by The Northman in 2022.

3. Before filming even began, Eggers wrote a novella with extensive backstories and scenes…

Shadow of a figure cast on a tiled floor in a dimly lit setting, creating a mysterious and suspenseful atmosphere

4. …and in writing this, Eggers discovered that he wanted to make Ellen’s (Depp), journey the “driving force” of the film.

Person in historical attire with a large, ornately detailed bonnet walks down a narrow alley, evoking a Victorian-era ambiance

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“She is a victim not only of the vampire, but of nineteenth-century society,” Eggers explained. “This is Ellen’s story. There’s a prologue that begins with her childhood and an unexplained but terrifying haunting.”

5. Continuing his deep-dive, Eggers also did a lot of research into the occult and historical representations of vampires. In fact, he did so much research that his office was apparently filled with “hundreds of books” on those subjects.

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6. Depp worked with a movement coach, Marie-Gabrielle Rotie, an expert in Japanese Butoh (a form of dance), in order to choreograph Ellen’s movements during her posessions.

Performers in flowing costumes pose dramatically on stage during a theater production

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7. To get a very specific and stylized “romantic moonlit” look, cinematographer Jarin Blaschke incorporated actual candlelight to light their scenes.

Actor and crew member review footage next to a candle on a dimly lit set

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“It’s all real flame,” Blaschke said. “We just kept putting in candles until we got to the right exposure. It got messy, but it’s very gratifying to shoot on film and have real candles.”

8. Filming took place in Prague, and they used several practical locations. Apparently, Eggers wanted to incorporate Prague’s architecture into the film.

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9. The filmmakers also made a trip to Transylvania in Romania to shoot the exteriors of Hunedoara Castle (also known as Corvin Castle), which served as Orlok’s Castle in the film.

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10. But they also built a TON of sets…60 to be precise, including five city blocks. (For comparison, the average movie builds maybe a dozen or less sets.)

Victorian-era street scene with people in period clothing, including hats and bonnets, walking and interacting among market stalls

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“I wanted to build as much as possible,” said Eggers. “It gives me the most amount of control with how Jarin and I like to move the camera.”

11. And many of the sets were rigged to have moveable parts to accommodate the fancy camerawork in the film.

Three people on a film set look at a monitor. They wear casual jackets and discuss a scene, surrounded by camera equipment

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Eggers explained, “Often, it demands that we have movable walls and movable ceilings. There are several shots where a wall will open on a hinge to get the camera through, and then come back around and close back up. It’s a lot, but it’s very fun.”

12. The sets had so much detail that you would never be able to see it all just watching the movie. For example, there was paper on a desk written as if it were a letter from Ellen.

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Actor Emma Corrin explained, “I remember Rob and I were rummaging around in one of the desks that they’d laid out with note paper. The note paper is written as if it’s a letter from Ellen, and all the envelopes are addressed with my character’s name.”

13. Speaking of practical production techniques, the blood tears Ellen cries were real and not CGI. Makeup artist Traci Loader used an eye blood made specifically to create red tears.

A person with long hair and an expression of shock or horror has dramatic blood-like makeup on their face

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14. The language Nosferatu uses to “speak” with Ellen (in her nightmares/hauntings) is called Dacian, which is a dead language.

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Romanian screenwriter Florin Lăzărescu helped the filmmakers with the translation.

15. While the film score features many obscure and ancient instruments, they actually custom-built instruments, too. One example is a toaca-like device (a percussion type of instrument) that was constructed by percussionist Paul Clarvis.

Hands holding mallets hitting wood, a semantron instrument which is like a toaca

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16. As part of their research for designing Count Orlok’s look, Eggers and special effects makeup artist David White researched the decay of flesh and bone using medical and historical research papers and books.

Anatomical illustration of upper arm muscles and nerves, labeled for educational purposes

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Eggers also shared images of noblemen of the time, their hairstyles and facial hair, and imagery depicted throughout the centuries, including folk art with White to get the right look.

17. It can be hard to see, but you may notice that Orlok’s “vampire bite” is not the traditional fang look. Eggers, apparently, didn’t want the classic vampire look and instead wanted to go for a more “gnarled and slightly broken” look for the teeth.

A shirtless man with intense expression in a dimly lit scene

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18. Bill Skarsgård had to be in the makeup chair for three-and-a-half to four hours each time, with multiple people working on his head, and others working on his hands.

A scene showing a concerned actor looking at an ornate goblet held by a person with long nails

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19. Some of the “animalistic” noises you hear Orlok make were created by recording the movement of stone. Supervising sound editor Damian Volpe explained, “I dragged a big hunk of granite around on the floor just to see what kind of sounds I could make.”

Actor in period costume with torn shirt and fake blood leans against a stone wall next to a doorway with two visible dogs inside

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20. This is the fourth collaboration for Eggers with his core filmmaking team: production designer Craig Lathrop, cinematographer Jarin Blaschke, costume designer Linda Muir, and editor Louise Ford, who worked on all of Eggers’ previous films.

A film director in a warm jacket and cap looks intently at a large camera on set, focusing on the scene

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21. And, finally, you’ll probably find this funny/interesting, but Chris Columbus, aka the director of iconic family films like Home Alone and Mrs. Doubtfire, is a producer on the film.

Group of actors in formal wear at a movie premiere with a yellow arrow pointing to a man on the far right

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He was also an executive producer on two of Eggers’ previous films, The Witch and The Lighthouse.

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